burjpromenadeEveryone knows Dubai has been having real problems with falling real estate prices, but now it appears to have reached crisis point. Much of Dubai’s exponential growth has been funded by international borrowing and a large chunk of that is due this year. The Wall Street Journal reported this week that the Dubai government is issuing $20 billion in long term bonds with the first installment ($10 billion) being subscribed by the U.A.E’s central bank.

The bond is reported to be unsecured, fixed rate and offering a yield of a piddly 4%, with a 5 year maturity.

Apparently this will ease Dubai’s immediate problems but really doesn’t address the core issues. Projects currently in the works are left sitting there, those finished sit empty waiting for buyers who are not there. International workers are leaving in droves and the NY Times reports that cars left by fleeing foreigners sit abandoned at Dubai airport.

The government, predictably, isn’t providing any data on how bad the situation really is. They are actually drafting a law at the moment which would make it a crime to damage the country’s reputation or economy – essentially gagging local media who may wish to comment on the real situation over there.

The New Luxury Signal: Emotional Stability

The New Luxury Signal: Emotional Stability

Luxury resorts used to sell status and spectacle. Now they sell something quieter: relief. Guests arrive overloaded, and the best resorts are redesigning around sensory calm, reduced friction, and emotional steadiness. Modern luxury is less about what you add, and more about what you remove.

When You Can’t Leave: Designing for the Flight Reflex in Airports, Venues, and Hospitals

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In high-stimulus public spaces, our bodies do more than react – they strategise.
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The Last Ten Minutes of Luxury

Guests pay for days yet remember minutes. The peak end rule explains why a stay often lives or dies on one high moment and the day of departure. What works, what fails, and how to design the arc so memory carries your brand home.